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	<title>©anikitos &#8211; anikitos.com</title>
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	<link>https://anikitos.com</link>
	<description>Anikitos Documentary Photography Cyprus</description>
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	<title>©anikitos &#8211; anikitos.com</title>
	<link>https://anikitos.com</link>
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	<item>
		<title>First prize on Instagram competition: @Faces.of.streets (my photo is the up/left) &#8211; https://www.instagram.com/p/Beeq-5dn84D/</title>
		<link>https://anikitos.com/instagram-competition-faces-of-streets/</link>
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		<dc:creator><![CDATA[]]></dc:creator>
		<pubDate>Tue, 05 Mar 2019 17:02:38 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<guid isPermaLink="false">https://anikitos.com/?p=2531</guid>

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		<title>Instagram competition: @streetphotographyinternational &#8211; https://www.instagram.com/p/Bs3SzWjAjF-/</title>
		<link>https://anikitos.com/instagram-competition-streetphotographyinternational-2/</link>
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		<pubDate>Wed, 27 Feb 2019 16:37:17 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<guid isPermaLink="false">https://anikitos.com/?p=2526</guid>

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		<title>Monologues and Quests</title>
		<link>https://anikitos.com/monologues-and-quests/</link>
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		<pubDate>Thu, 01 Nov 2018 06:40:38 +0000</pubDate>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[People]]></category>
		<category><![CDATA[Photo Album]]></category>
		<guid isPermaLink="false">https://anikitos.com/?p=1845</guid>

					<description><![CDATA[A photo album edition 2017 &#160; I never considered photography as a means to make a living, not until I turned 30 when I had the joyous opportunity to become introduced to it. From the beginning I sensed the kind of relationship one can develop with photography by approaching it as a form of Art. &#8230; <a href="https://anikitos.com/monologues-and-quests/" class="more-link"></a>]]></description>
										<content:encoded><![CDATA[<p><strong>A photo album edition 2017 &nbsp;</strong></p>
<p>I never considered photography as a means to make a living, not until I turned 30 when I had the joyous opportunity to become introduced to it. From the beginning I sensed the kind of relationship one can develop with photography by approaching it as a form of Art. A relationship that starts as a playful and enthusiastic flirt in order to end up being a deep and profound love.</p>
<p>In the course of engaging with the art of photography I always posed the following question to myself by way of internal monologue: Is there some reason in particular why I take photographs? Is it perhaps in order to have a nice hobby for my time to pass constructively? Does it have anything to do with creativity as such, in order to satisfy my vanity? Or am I being guided deep inside by my being itself in search of my very own soul, in search of my salvation? Could it be that the child in me has never grown up and seeks to discover the world through a different glance, using different means and points of view, simply wishing to leave behind its own trace in this life? Just like when we used to carve our initials on the trunk of a tree after an excursion in the countryside or when we used to write slogans on a neighbourhood wall? Or when we used to create holes in the soil as children believing we had discovered something significant and that we thus got to know the world? Life explorers through childhood quests in the past. Life explorer with a camera in hand in the present.</p>
<p>To conclude, all the above suggests that the quest is for my very soul. Something we are all called upon to do in this life, each of us in his/her own way. It is a quest of our own self, of our complex inner world. That which is deeply hidden at the core of our soul where we have to scratch until we bleed, to shake its foundations in order to awaken it, feel it, understand it, become acquainted with it. I don’t know if I will manage to find answers to all these questions, in all these quests. What I do know and I can say with certainty is that every photograph I take is a reflection of myself. I also know that I am addicted to what I do. It is the catalyst in shaping my personality, the way I filter and how I interpret life in general. One proceeds with that until the end which is none other than salvation. As a great Greek author once said: “For Death to find a bundle of  bones when he comes to get me”.</p>
<div class="envira-gallery-feed-output"><img class="envira-gallery-feed-image" tabindex="0" src="https://anikitos.com/wp-content/uploads/2018/11/Monologues_and_Quests_1490-1024x690.jpg" title="Monologues_and_Quests_1490" alt="" /></div>
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		<title>ABOVE THE FENCES</title>
		<link>https://anikitos.com/above-the-fences-a-photostory-of-my-daughter-anna/</link>
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		<pubDate>Thu, 01 Nov 2018 06:39:00 +0000</pubDate>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[People]]></category>
		<category><![CDATA[Equestrian]]></category>
		<category><![CDATA[Horses]]></category>
		<category><![CDATA[Show jumping]]></category>
		<guid isPermaLink="false">https://anikitos.com/?p=1813</guid>

					<description><![CDATA[A photostory of my daughter Anna &#160;Cyprus 2012-16 &#160; My attempt has been to outline my beloved daughter Anna’s life in the field she dedicates most of her time; horse riding. Browsing my archives, I realized I had several good pictures of her in various scenes both in and out of the arena. Selecting was &#8230; <a href="https://anikitos.com/above-the-fences-a-photostory-of-my-daughter-anna/" class="more-link"></a>]]></description>
										<content:encoded><![CDATA[<p><strong>A photostory of my daughter Anna &nbsp;<strong>Cyprus 2012-16 &nbsp; </strong></p>
<p>My attempt has been to outline my beloved daughter Anna’s life in the field she dedicates most of her time; horse riding. Browsing my archives, I realized I had several good pictures of her in various scenes both in and out of the arena. Selecting was hard. Thus, I focused more on those pictures that depicted the inner world of a girl and her relationship with horses. Moments of utter joy, love, hard work, moments of deep thought, agony and fear, will and determination. Seeing her as she lived in her own different world, I tried to touch the strings of her inner world as they echoed back to me. It is a truly magical relationship, the one Anna formed with the horses and especially those she called her own. A unique relationship that exists among all the children involved in this sport. I was astounded by the fact that these animals, apart from their outer beauty, seem to have a special impact on us humans, especially on the children’s pure souls. An exciting bond is created, a loving relationship between rider and horse.</p>
<div class="envira-gallery-feed-output"><img class="envira-gallery-feed-image" tabindex="0" src="https://anikitos.com/wp-content/uploads/2018/11/Above_the_Fences_1260-1024x695.jpg" title="Above_the_Fences_1260" alt="" /></div>
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		<title>The St. Clemente’s Orphans</title>
		<link>https://anikitos.com/st-clemente/</link>
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		<pubDate>Thu, 01 Nov 2018 06:38:51 +0000</pubDate>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[People]]></category>
		<category><![CDATA[Africa]]></category>
		<category><![CDATA[Kenya]]></category>
		<category><![CDATA[Orphans]]></category>
		<category><![CDATA[Slum]]></category>
		<category><![CDATA[Third World]]></category>
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					<description><![CDATA[Kenya Nairobi 2016&#160; The political and economic conditions prevailing in a country affect its citizens&#8217; groups and in particular, the most vulnerable children. In Kenya, Kibera is the second largest slum in the world, but there are other smaller ones like Riruta. Most of Riruta slum residents live in extreme poverty, earning less than $ &#8230; <a href="https://anikitos.com/st-clemente/" class="more-link"></a>]]></description>
										<content:encoded><![CDATA[<p><strong>Kenya Nairobi 2016&nbsp;</strong></p>
<p>The political and economic conditions prevailing in a country affect its citizens&#8217; groups and in particular, the most vulnerable children. In Kenya, Kibera is the second largest slum in the world, but there are other smaller ones like Riruta. Most of Riruta slum residents live in extreme poverty, earning less than $ 1.00 a day with a 65-year life expectancy.</p>
<p>As a member of a humanitarian organization, I found myself in St. Clement Orthodox Primary school, which numbers around 150 orphan children and is located in the Riruta slum. They are financially supported and managed by the Archbishopric of Kenya and in certain fields by the humanitarian organization too.  All children are taught, fed and dressed by the special programs of the Metropolis. Moreover, there is a special room with beds for the children who want to rest and sleep after school. Late in the afternoon they return to the houses in the surrounding area where they are taken care of by relatives or foster families.</p>
<div class="envira-gallery-feed-output"><img class="envira-gallery-feed-image" tabindex="0" src="https://anikitos.com/wp-content/uploads/2018/01/St_Clemente_Orphans_2230-1024x697.jpg" title="St_Clemente_Orphan&#8217;s_2230" alt="" /></div>
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		<title>The Other View</title>
		<link>https://anikitos.com/the-other-view/</link>
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		<dc:creator><![CDATA[]]></dc:creator>
		<pubDate>Thu, 01 Nov 2018 06:37:06 +0000</pubDate>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[People]]></category>
		<category><![CDATA[Backstage]]></category>
		<category><![CDATA[Celebrities]]></category>
		<category><![CDATA[Dance]]></category>
		<category><![CDATA[Mega TV]]></category>
		<guid isPermaLink="false">https://anikitos.com/?p=1651</guid>

					<description><![CDATA[Cyprus Nicosia 2013,15&#160; Behind the scenes of the TV shows on 2013 and 2015, called DanSing For You. &#8220;The Other View”, the other side of a television show. We all wonder what goes on behind the stage lights, backstage. Celebrities. Hard to photograph. How easy is it for them to get rid of the image &#8230; <a href="https://anikitos.com/the-other-view/" class="more-link"></a>]]></description>
										<content:encoded><![CDATA[<p><strong>Cyprus Nicosia 2013,15&nbsp;</strong></p>
<p>Behind the scenes of the TV shows on 2013 and 2015, called DanSing For You. &#8220;The Other View”, the other side of a television show. We all wonder what goes on behind the stage lights, backstage.</p>
<p>Celebrities. Hard to photograph. How easy is it for them to get rid of the image they project as professionals, necessary for their work? How spontaneous can they be off stage?</p>
<p>It’s a challenge to touch these moments where they briefly escape from their roles and become themselves, giving me the opportunity to capture what is hardly seen.</p>
<div class="envira-gallery-feed-output"><img class="envira-gallery-feed-image" tabindex="0" src="https://anikitos.com/wp-content/uploads/2018/11/The_Other_View_1410-1024x755.jpg" title="The_Other_View_1410" alt="" /></div>
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		<title>Cyprus’s Refugees</title>
		<link>https://anikitos.com/cypruss-refugees/</link>
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		<pubDate>Thu, 01 Nov 2018 06:36:39 +0000</pubDate>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[People]]></category>
		<category><![CDATA[1974]]></category>
		<category><![CDATA[Greek Cypriots]]></category>
		<category><![CDATA[Lidra Pallas]]></category>
		<category><![CDATA[Occupied Cyprus]]></category>
		<category><![CDATA[Refugees]]></category>
		<category><![CDATA[Turkish Cypriots]]></category>
		<category><![CDATA[Turkish invasion]]></category>
		<guid isPermaLink="false">https://anikitos.com/?p=1245</guid>

					<description><![CDATA[Cyprus 2003-today&#160; Since the Turkish invasion in Cyprus in 1974 and the opening of the checkpoints along the &#8220;Green Line&#8221; in April 2003, the refugees are having a liturgy at their churches in the occupied side for the first time. Greek Cypriots have the Christian Orthodox faith deeply rooted in them, which characterizes them as &#8230; <a href="https://anikitos.com/cypruss-refugees/" class="more-link"></a>]]></description>
										<content:encoded><![CDATA[<p><strong>Cyprus 2003-today&nbsp;</strong></p>
<p>Since the Turkish invasion in Cyprus in 1974 and the opening of the checkpoints along the &#8220;Green Line&#8221; in April 2003, the refugees are having a liturgy at their churches in the occupied side for the first time. Greek Cypriots have the Christian Orthodox faith deeply rooted in them, which characterizes them as people and society. Great bitterness is what they feel seeing their churches pillaged and ruined by the Turkish conqueror.<br />
Feelings are mixed both for them and me as a Greek Cypriot. The photographic result could not be unaffected by the effect the very event had on myself.</p>
<p>The atmosphere is heavy; the pervasive indignation felt by the invaded, the intense emotion during the liturgy, along with fear by the presence of the regime’s secret police everywhere as well as many curious Turks.</p>
<p>* All photos they belong to a long-term project under the title &#8220;Lost HomeLand&#8221; and refers to the occupied Cyprus.</p>
<div class="envira-gallery-feed-output"><img class="envira-gallery-feed-image" tabindex="0" src="https://anikitos.com/wp-content/uploads/2018/01/Cypruss_Refugges_2130-2-740x1024.jpg" title="Cyprus&#8217;s_Refugges_2130" alt="" /></div>
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		<title>Another World</title>
		<link>https://anikitos.com/another-world/</link>
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		<pubDate>Thu, 01 Nov 2018 06:35:10 +0000</pubDate>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[People]]></category>
		<category><![CDATA[Maramures]]></category>
		<category><![CDATA[Romania]]></category>
		<guid isPermaLink="false">https://anikitos.com/?p=1900</guid>

					<description><![CDATA[Romania Maramures 2007&#160; Maramures is a region in northern Romania. It consists many villages, with inhabitants dealing more with agriculture and livestock. One visiting there would have the impression that time has stopped. Their homes and generally the infrastructure of the villages and the means they use in their day-to-day occupations are outdated for 50 &#8230; <a href="https://anikitos.com/another-world/" class="more-link"></a>]]></description>
										<content:encoded><![CDATA[<p><strong>Romania Maramures 2007&nbsp;</strong></p>
<p>Maramures is a region in northern Romania. It consists many villages, with inhabitants dealing more with agriculture and livestock. One visiting there would have the impression that time has stopped. Their homes and generally the infrastructure of the villages and the means they use in their day-to-day occupations are outdated for 50 years. A simple, religious population (Christian Orthodox) who enslave you to its hospitality and kindness and who keep faithfully the traditions, values ​​and morals. Things that many people have forgotten or have not known at all. A society with its own rules and rhythms. They give you the feeling that they have managed to live free in one of their own world.</p>
<p><code id="envira_shortcode_id_1898"><div class="envira-gallery-feed-output"><img class="envira-gallery-feed-image" tabindex="0" src="https://anikitos.com/wp-content/uploads/2018/11/Another_World_1350-1024x697.jpg" title="Another_World_1350" alt="" /></div></code></p>
<p>&nbsp;</p>
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		<title>VISITORS IN THEIR LAND</title>
		<link>https://anikitos.com/visitors-in-their-land/</link>
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		<pubDate>Thu, 01 Nov 2018 06:34:15 +0000</pubDate>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[People]]></category>
		<category><![CDATA[1974]]></category>
		<category><![CDATA[Greek Cypriots]]></category>
		<category><![CDATA[Lidra Pallas]]></category>
		<category><![CDATA[Occupied Cyprus]]></category>
		<category><![CDATA[Photo Album]]></category>
		<category><![CDATA[Refugees]]></category>
		<category><![CDATA[Turkish Cypriots]]></category>
		<category><![CDATA[Turkish invasion]]></category>
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					<description><![CDATA[A photo album edition 2008 &#160;Cyprus 2003,04&#160; With the Turkish invasion in July 1974 more than 250,000 Greek Cypriots were forced to flee their homes abandoning all their property and possessions. Turkey, transferring all the Turkish Cypriots to the northern part of Cyprus, created an illegal &#8220;Turkish Republic of Northern Cyprus&#8221; that it also settled &#8230; <a href="https://anikitos.com/visitors-in-their-land/" class="more-link"></a>]]></description>
										<content:encoded><![CDATA[<p><strong>A photo album edition 2008  &nbsp;<br />Cyprus 2003,04&nbsp;</strong></p>
<p>With the Turkish invasion in July 1974 more than 250,000 Greek Cypriots were forced to flee their homes abandoning all their property and possessions. Turkey, transferring all the Turkish Cypriots to the northern part of Cyprus, created an illegal &#8220;Turkish Republic of Northern Cyprus&#8221; that it also settled illegally with Turkish citizens. Since then the two communities live separately with the United Nations responsible for the security of the islands &#8220;buffer zone&#8221;, a dividing line also called &#8220;Green Line&#8221; that stretches the entire width of the island.</p>
<p>With the signing of the European Communities &#8220;Asuncion Treaty&#8221; on 16 April 2003, by the Cyprus Republic 29 years later, the Turkish Cypriot leader, Rauf Denktash decided on 23 April 2003 to lift the measures of constraint that disallowed entry to the &#8220;North&#8221; all Greek Cypriots by allowing a one-day entry permit to be issued.</p>
<p>From the very first days thousands of Greek Cypriots gathered at the Ledra Palace roadblock, one of the checkpoints. Crossing over to the occupied territories they spread out in all directions, eager to visit their towns and villages. Arriving at their destination some found their houses in ruins, other abandoned, others occupied by Turkish Cypriots or Turkish settlers or even Europeans. Some occupants welcomed them, others closed their doors and refused to communicate. The churches, the cemeteries and every other part of their cultural heritage that the Greek Cypriots had been forced to leave behind in 1974 has been pillaged and plundered, left to the ravages of time and today in unkempt and in ruins.</p>
<div class="envira-gallery-feed-output"><img class="envira-gallery-feed-image" tabindex="0" src="https://anikitos.com/wp-content/uploads/2018/01/Visitors_in_their_Land_1620-1024x695.jpg" title="Visitors_in_their_Land_1620" alt="" /></div>
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		<title>Return to the South</title>
		<link>https://anikitos.com/return-to-the-south/</link>
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		<pubDate>Thu, 01 Nov 2018 06:33:52 +0000</pubDate>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[People]]></category>
		<category><![CDATA[Gypsies]]></category>
		<guid isPermaLink="false">https://anikitos.com/?p=1733</guid>

					<description><![CDATA[Cyprus 2003&#160; Since the Turkish invasion on 1974 in Cyprus the island has been divided into two parts. On 23th of April 2003 the checkpoints opened and many Gypsies, fled to the South the non-occupied part, for better future. The Cypriot government were first located them in tents and then relocated them in houses offering &#8230; <a href="https://anikitos.com/return-to-the-south/" class="more-link"></a>]]></description>
										<content:encoded><![CDATA[<p><strong>Cyprus 2003&nbsp;</strong></p>
<p>Since the Turkish invasion on 1974 in Cyprus the island has been divided into two parts. On 23th of April 2003 the checkpoints opened and many Gypsies, fled to the South the non-occupied part, for better future. The Cypriot government were first located them in tents and then relocated them in houses offering every economic help and benefits according to the welfare legislations of the state.</p>
<div class="envira-gallery-feed-output"><img class="envira-gallery-feed-image" tabindex="0" src="https://anikitos.com/wp-content/uploads/2018/11/Return_to_the_South_1150-1024x697.jpg" title="Return_to_the_South_1150" alt="" /></div>
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